Author of over 400 Books for Children and Adults
My editor at Little Brown, the marvelous Maria Modugno, sent me a picture by a young artist named Laurel Molk. It was a charming water color of mice dressed in Halloween costumes and playing musical instruments. “We love her work,” Maria said, “but she can’t write a story. Can you do something for
This is a comic book for adults, not children. The artist Charles Vess–whose work in comics and illustrated books I had admired for a long time–asked a number of fantasy writers to try writing a comic book story based on a
Scottish/English folk ballad. I chose “King Henry,” a ballad in the Loathly Lady tradition.
The start of a series of the best original adult fantasy short stories and poems, including one of my own poems in each volume. Martin H. Greenberg and I sold the book together, but only my name appears on the cover because I edited the book. He handled the monetary details. Rave reviews, calling this the series that shows what fantasy is about. Few sales.
Almost ten years after my father died, I wrote this rhymed picture book about a boy on the day of his grandfather’s funeral. Why rhyme? I have absolutely no idea, but it was one of those books that simply poured out. The initial writing took several days and then I was weeks worrying it over.
This is one of the poems from “The Three Bears Rhyme Book” made into a Big Book and illustrated by a young Russian illustrator. The cover is actually too big to scan properly.
I was challenged by an editor to write a repetitive nursery rhyme. So I began it “Mouse’s house is very small, very small, very small. Hardly any room at all for anyone but mouse.” And then the editor turned the book down. So I turned around and sold it to my wonderful editor at Putnam
This book about the rain forest in occasional rhyme began when one of the Save the Rain forest groups asked me to write a book for Laura Regan to illustrate. I adored her bold, color-drenched work. But I said they needed to find a publisher before I’d start. I knew there would be lots and lots of research ahead.
The second of four music books I did for Boyds Mills. Adam was wonderful to work with, shipping me off the simple arrangements which I then played on the piano. We figured if I could sight read them, ANYONE could! I picked the songs, wrote the historical notes. Adam did all the musical arrangements.
Short stories and poems, all written by me, having to do with dragons. This was the first of the five HERE THERE BE. . .books. Since I’d already written many dragon short stories, I only needed to write one new one–a Chinese dragon story. Included here is “Cockfight,” which started the Pit Dragon Trilogy
Pat Gauch at Philomel wanted me to write a follow-up book for John Schoenherr after our success with OWL MOON. I wrote this book in the first person hoping it had the same tone. Perspicacious readers will note that the book is not illustrated by Schoenherr (he was already at work on a goose book)